Pintura Identificación:: 52
Agony in the Garden la Agustia en el Jardín 1459
National Gallery, London 1459 Galería Nacional ,Londres Italian High Renaissance Painter, ca.1430-1516
Pintura Identificación:: 19032
Agony in the Garden la Angustia en el Jardín 1595, oil on canvas, Toledo Museum of Art, Ohio 1595, engrasanen la lona, Museo de Toledo del Arte, Ohio Greek-born Spanish Mannerist Painter, 1541-1614
Pintura Identificación:: 30539
Agony in the Garden la Angustia en el Jardín mk68
Oil on canvas
5'7"x3'8 1/4"
Cuenca
Diocesan Museum
c.1600-1605
Spain
el Petróleo mk68 en la lona 57x38 1/4 Cuenca 1605 Diocesano de Museo c.1600- España Greek-born Spanish Mannerist Painter, 1541-1614
Pintura Identificación:: 30951
Agony in the Garden la Angustia en el Jardín mk68
c.1600-1605
1605 mk68 c.1600- Greek-born Spanish Mannerist Painter, 1541-1614
Pintura Identificación:: 33408
Agony in the Garden la Angustia en el Jardín mk86
c.1460
Tempera on wood
63x80cm
London,National Gallery
mk86 C. 1460 Témpera en la madera63x80cm Londres, la Galería Nacional Italian Early Renaissance Painter, ca.1431-1506
Pintura Identificación:: 38270
Agony in the Garden la Angustia en el Jardín mk132
1819
Oil on canvas
47x35cm
mk132 1819 Engrasan en la lona 47x35cm Spanish
1746-1828
Francisco de Goya Locations
Pintura Identificación:: 40216
Agony in the Garden la Angustia en el Jardín mk156
c.1459
Oil on panel
Musee des Beaux-Arts de Tours.
Tours
mk156 C.1459 Petróleo en Beaux-Artes de entrepaño Musee D de Viaja. Las visitas Italian
1431-1506
Andrea Mantegna Locations
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 42306
Agony in the Garden la Angustia en el Jardín mk168
221x156mm
mk168221x156mm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 42430
Agony in the Garden la Angustia en el Jardín mk168
Woodcut
389x282mm
la Xilografía mk168 389x282mm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 42442
Agony in the Garden la Angustia en el Jardín mk168
1508
118x75mm
mk168 1508 118x75mm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 83118
Agony in the Garden Date ca. 1510(1510)
Medium Oil on oak
Dimensions Height: 85 cm (33.5 in). Width: 63 cm (24.8 in).
cjr 1478-1534
Flemish
Jan Gossaert Mabuse Galleries
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Pintura Identificación:: 98442
Agony in the Garden 1665(1665)
Medium oil on canvas
Dimensions Height: 126 cm (49.6 in). Width: 154 cm (60.6 in).
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Adriaen van de Velde (bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Agony in the Garden
